TY - JOUR
T1 - ESTO NO ES UN MUSEO
T2 - THE SKOGHALL KONSTHALL DE ALFREDO JAAR Y LIMAC DE SANDRA GAMARRA
AU - Kobayashi, Megumi Andrade
N1 - Publisher Copyright:
© 2021 Universidad de Talca. All rights reserved.
PY - 2021/1/1
Y1 - 2021/1/1
N2 - At the beginning of this century, in the cities of Skoghall, Sweden, and Lima, Perú, the artists Alfredo Jaar (Santiago, 1956) and Sandra Gamarra (Lima, 1972), founded two special museums of contemporary art: The Skoghall Konsthall and LiMAC. Because -until then- none of these cities had one, Jaar and Gamarra intended to supply that void with their respective projects. In this essay, I will analyze some of the issues that both museums set up in relation to the artistic mechanisms and the social practices associated to this kind of institutions. Besides, I suggest that the central strategy of the rhetoric of The Skoghall Konsthall and LiMAC consists in the negation.
AB - At the beginning of this century, in the cities of Skoghall, Sweden, and Lima, Perú, the artists Alfredo Jaar (Santiago, 1956) and Sandra Gamarra (Lima, 1972), founded two special museums of contemporary art: The Skoghall Konsthall and LiMAC. Because -until then- none of these cities had one, Jaar and Gamarra intended to supply that void with their respective projects. In this essay, I will analyze some of the issues that both museums set up in relation to the artistic mechanisms and the social practices associated to this kind of institutions. Besides, I suggest that the central strategy of the rhetoric of The Skoghall Konsthall and LiMAC consists in the negation.
KW - Alfredo Jaar
KW - Contemporary art museum
KW - LiMAC
KW - Sandra Gamarra
KW - The Skoghall Konsthall
UR - http://www.scopus.com/inward/record.url?scp=85124326981&partnerID=8YFLogxK
U2 - 10.4067/S0718-23762021000200329
DO - 10.4067/S0718-23762021000200329
M3 - Artículo
AN - SCOPUS:85124326981
SN - 0716-498X
VL - 36
SP - 329
EP - 344
JO - Universum
JF - Universum
IS - 2
ER -