Poéticas anarchivísticas.Algoritmos que activan el patrimonio audiovisual

Vanina Hofman Matusevich; Valentina Montero

doi:10.7764/Aisth.74.16

Poéticas anarchivísticas.Algoritmos que activan el patrimonio audiovisual

Translated title of the contribution: Anarchival Poetics. Algorithms that Activate the Audiovisual Heritage

Vanina Hofman Matusevich, Valentina Montero

Universidad Rovira i Virgili

Research output: Contribution to journal › Article › peer-review

Abstract

Throughout the 20th century and up to the present day, many artists have addressed the archive by questioning its function, classification systems, legitimacy, registration technologies or inclusion/exclusion protocols. Considering that within digital culture, AI has become a key factor for information management, this article explores how the use of these technologies in art is offering new perspectives to think about the archive, heritage, and memory.

Translated title of the contribution	Anarchival Poetics. Algorithms that Activate the Audiovisual Heritage
Original language	Spanish
Pages (from-to)	363-381
Number of pages	19
Journal	Aisthesis
Issue number	74
DOIs	https://doi.org/10.7764/Aisth.74.16
State	Published - 1 Jan 2023

Access to Document

10.7764/Aisth.74.16

Cite this

@article{23a7b9ab6c4748acaaa76b1794e26da6,

title = "Po{\'e}ticas anarchiv{\'i}sticas.Algoritmos que activan el patrimonio audiovisual",

abstract = "Throughout the 20th century and up to the present day, many artists have addressed the archive by questioning its function, classification systems, legitimacy, registration technologies or inclusion/exclusion protocols. Considering that within digital culture, AI has become a key factor for information management, this article explores how the use of these technologies in art is offering new perspectives to think about the archive, heritage, and memory.",

keywords = "Anarchivism, audiovisual heritage, collective memory, generative art, performativity",

author = "Matusevich, {Vanina Hofman} and Valentina Montero",

year = "2023",

month = jan,

day = "1",

doi = "10.7764/Aisth.74.16",

language = "Espa{\~n}ol",

pages = "363--381",

journal = "Aisthesis",

issn = "0568-3939",

publisher = "Pontificia Universidad Catolica de Chile, Facultad de Filosofia, Instituto de Estetica",

number = "74",

}

TY - JOUR

T1 - Poéticas anarchivísticas.Algoritmos que activan el patrimonio audiovisual

AU - Matusevich, Vanina Hofman

AU - Montero, Valentina

PY - 2023/1/1

Y1 - 2023/1/1

N2 - Throughout the 20th century and up to the present day, many artists have addressed the archive by questioning its function, classification systems, legitimacy, registration technologies or inclusion/exclusion protocols. Considering that within digital culture, AI has become a key factor for information management, this article explores how the use of these technologies in art is offering new perspectives to think about the archive, heritage, and memory.

AB - Throughout the 20th century and up to the present day, many artists have addressed the archive by questioning its function, classification systems, legitimacy, registration technologies or inclusion/exclusion protocols. Considering that within digital culture, AI has become a key factor for information management, this article explores how the use of these technologies in art is offering new perspectives to think about the archive, heritage, and memory.

KW - Anarchivism

KW - audiovisual heritage

KW - collective memory

KW - generative art

KW - performativity

UR - http://www.scopus.com/inward/record.url?scp=85181258963&partnerID=8YFLogxK

U2 - 10.7764/Aisth.74.16

DO - 10.7764/Aisth.74.16

M3 - Artículo

AN - SCOPUS:85181258963

SN - 0568-3939

SP - 363

EP - 381

JO - Aisthesis

JF - Aisthesis

IS - 74

ER -

Poéticas anarchivísticas.Algoritmos que activan el patrimonio audiovisual

Abstract

Access to Document

Other files and links

Fingerprint

Cite this